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1914 — 1919
Vol. 1, No. 15
Weaver, Harriet Shaw (editor)
London: The New Freewoman, Ltd., 1914-08-01 20 p.; 31.5 x 21 cm
Vol. 1, No. 15
Weaver, Harriet Shaw (editor)
London: The New Freewoman, Ltd., 1914-08-01 20 p.; 31.5 x 21 cm
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Contents
Contents: 281-281
Authority: Conscience and the Offences (Marsden, Dora): 281-284
Views and Comments (D. M.): 284-286
God in London. A.D. 1914: 286-286
In the Arena: Review of 'Joseph Conrad' and 'Life Is a Dream' by Richard Curle, 'Irishry' by Joseph Campbell, and 'La Chanson de la Vie' by Georges Turpin (Aldington, Richard): 287-288
Miscast. I (Lowell, Amy): 288-288
Miscast. II (Lowell, Amy): 288-288
Vintage (Lowell, Amy): 288-288
The Taxi (Lowell, Amy): 288-288
Epitaph of a Young Poet Who Died before Having Achieved Success (Lowell, Amy): 288-288
The Tree of Scarlet Berries (Lowell, Amy): 288-288
Obligation (Lowell, Amy): 288-288
A Portrait of the Artist as a Young Man. Chapter III (Joyce, James): 289-291
The End (R. R. W.): 291-291
Liberations: Studies of Individuality in Contemporary Music. Significance of Modern Spanish Music: The Works of Enrique Granados, Manuel de Falla, and Joaquin Turina. VII (Henry, Leigh): 291-294
The Glamour of G. S. Street (Pound, Ezra): 294-295
Passing Paris (Saint Fiacre): 295-296
Passing Paris. Theories (Bouvelet, Henri): 295-295
Passing Paris. Priere (Bouvelet, Henri): 295-295
Passing Paris. La Rose Compatissante (D'après Ciolkowski) (Léger, Abel): 295-295
Contemporary Caricatures (Felton, John): 296-297
Theatralising the Drama and 'Pygmalion' (Carter, Huntly): 297-298
Correspondence. Mr. Carter on Force (Dobrée, B.): 299-299
Correspondence. Mr. Huntly Carter's Reply (Carter, Huntly): 299-299
Correspondence. Miss Marsden and Wages (R. R. W.): 299-299
Advertisements: 298-298
Authority: Conscience and the Offences (Marsden, Dora): 281-284
Views and Comments (D. M.): 284-286
God in London. A.D. 1914: 286-286
In the Arena: Review of 'Joseph Conrad' and 'Life Is a Dream' by Richard Curle, 'Irishry' by Joseph Campbell, and 'La Chanson de la Vie' by Georges Turpin (Aldington, Richard): 287-288
Miscast. I (Lowell, Amy): 288-288
Miscast. II (Lowell, Amy): 288-288
Vintage (Lowell, Amy): 288-288
The Taxi (Lowell, Amy): 288-288
Epitaph of a Young Poet Who Died before Having Achieved Success (Lowell, Amy): 288-288
The Tree of Scarlet Berries (Lowell, Amy): 288-288
Obligation (Lowell, Amy): 288-288
A Portrait of the Artist as a Young Man. Chapter III (Joyce, James): 289-291
The End (R. R. W.): 291-291
Liberations: Studies of Individuality in Contemporary Music. Significance of Modern Spanish Music: The Works of Enrique Granados, Manuel de Falla, and Joaquin Turina. VII (Henry, Leigh): 291-294
The Glamour of G. S. Street (Pound, Ezra): 294-295
Passing Paris (Saint Fiacre): 295-296
Passing Paris. Theories (Bouvelet, Henri): 295-295
Passing Paris. Priere (Bouvelet, Henri): 295-295
Passing Paris. La Rose Compatissante (D'après Ciolkowski) (Léger, Abel): 295-295
Contemporary Caricatures (Felton, John): 296-297
Theatralising the Drama and 'Pygmalion' (Carter, Huntly): 297-298
Correspondence. Mr. Carter on Force (Dobrée, B.): 299-299
Correspondence. Mr. Huntly Carter's Reply (Carter, Huntly): 299-299
Correspondence. Miss Marsden and Wages (R. R. W.): 299-299
Advertisements: 298-298