1910 — 1922
Published by Charles Scribner’s Sons, this magazine ran from 1887 to 1939, offering a wide range of authors and texts from the popular to the highbrow, as well as an abundance of illustrations, art reprints, photographs, and advertising.
1916 — 1917
Though it lasted only a year, The Seven Arts had an oversized impact on American culture. Its mission was to promote an American renaissance, whereby the arts in the country would finally come of age by taking American life as their subject matter and the American people as their intended audience.
1910 — 1922
Jointly edited by H. L. Mencken and George Jean Nathan, The Smart Set in its heyday was a vehicle for popular modernism, bringing high-quality literature and cultural satire to a broad American audience.
1915
The four Imagist anthologies, published annually between 1914 and 1917, promoted Imagism as an avant-garde movement and helped turn it into an important force in modern poetry. The Imagist Anthology Collection includes Des Imagistes (1914), ed. Ezra Pound, incl. in The Glebe and subsequent books; Some Imagist Poets (1915), ed. H. D. and Richard Aldington; The 1916 and 1917 successors, ed. Amy Lowell; Catholic Anthology (1915), ed. Ezra Pound in an answer to the first Some Imagist Poets anthology; and the May 1921 issue of Chapbook, with a section parodying Imagist anthologies, called “Pathology des Dommagistes.”
1916
The four Imagist anthologies, published annually between 1914 and 1917, promoted Imagism as an avant-garde movement and helped turn it into an important force in modern poetry. The Imagist Anthology Collection includes Des Imagistes (1914), ed. Ezra Pound, incl. in The Glebe and subsequent books; Some Imagist Poets (1915), ed. H. D. and Richard Aldington; The 1916 and 1917 successors, ed. Amy Lowell; Catholic Anthology (1915), ed. Ezra Pound in an answer to the first Some Imagist Poets anthology; and the May 1921 issue of Chapbook, with a section parodying Imagist anthologies, called “Pathology des Dommagistes.”
1917
The four Imagist anthologies, published annually between 1914 and 1917, promoted Imagism as an avant-garde movement and helped turn it into an important force in modern poetry. The Imagist Anthology Collection includes Des Imagistes (1914), ed. Ezra Pound, incl. in The Glebe and subsequent books; Some Imagist Poets (1915), ed. H. D. and Richard Aldington; The 1916 and 1917 successors, ed. Amy Lowell; Catholic Anthology (1915), ed. Ezra Pound in an answer to the first Some Imagist Poets anthology; and the May 1921 issue of Chapbook, with a section parodying Imagist anthologies, called “Pathology des Dommagistes.”
1921 — 1922
Edited by Wyndham Lewis for two issues, this was a successor to Blast — still interesting but a bit tamer.
1916 — 1921
Published annually, with six issues appearing in the years from 1916 to 1921, this anthology of modernist poetry was dominated by the Sitwell siblings.
1923
The Owl, edited by Robert Graves sporadically, published a lot of good poetry by Georgian poets and younger writers. The third issue, of November 1923, appears as The Winter Owl.