1898 — 1899

Published anonymously in Spokane, Washington, The Dilettante is a good example of an “ephemeral bibelot,” a breed of short-lived, amateur literary magazines that flourished in America during the last decade of the 19th century.

1897 — 1898

Founded and edited by Ernest J. Oldmeadow, the first series of this magazine ran quarterly for five issues from March 1897 to May 1898. Each issue had sections on architecture, literature, drawing-painting-engraving, and music, with excellent illustrations of visual materials.

1914 — 1919

The Egoist was a direct continuation of The New Freewoman (itself a continuation of The Freewoman) and continued the policies of its predecessor, with Dora Marsden ultimately shifting to “Contributing Editor” and Harriet Weaver becoming editor. It made a large contribution to modernist literature while continuing to discuss social and philosophical questions and issues.

1908 — 1910

Founded by Ford Madox Hueffer in 1908 and edited by him for fifteen issues, this influential magazine published works by established authors and new ones like D. H. Lawrence, Wyndham Lewis, and Ezra Pound.

1911

Everybody’s Magazine ran from 1899-1929, in New York City, publishing journalism and fiction by authors such as Jack London and A.A. Milne. It later became a pulp magazine. This single issue is presented as part of the 1910 Collection, a group of 24 magazines published “on or about December 1910,” when, according to Virginia Woolf, “human character changed” and modernity became palpable. This single issue is presented as part of the 1910 Collection, a group of 24 magazines published “on or about December 1910,” when, according to Virginia Woolf, “human character changed” and modernity became palpable.

1910

The Forum was a highly respected magazine based in New York City, running from 1885-1950 and publishing authors such as G.K. Chesterton. This single issue is presented as part of the 1910 Collection, a group of 24 magazines published “on or about December 1910,” when, according to Virginia Woolf, “human character changed” and modernity became palpable.

1911 — 1912

The Freewoman was established by Dora Marsden as “A Weekly Feminist Review” that would move beyond the vote to address such controversial issues as the economics and morality of sex. It was succeeded by two other magazines spearheaded by Marsden, The New Freewoman and The Egoist

1914

The four Imagist anthologies, published annually between 1914 and 1917, promoted Imagism as an avant-garde movement and helped turn it into an important force in modern poetry. The Imagist Anthology Collection includes Des Imagistes (1914), ed. Ezra Pound, incl. in The Glebe and subsequent books; Some Imagist Poets (1915), ed. H. D. and Richard Aldington; The 1916 and 1917 successors, ed. Amy Lowell; Catholic Anthology (1915), ed. Ezra Pound in an answer to the first Some Imagist Poets anthology; and the May 1921 issue of Chapbook, with a section parodying Imagist anthologies, called “Pathology des Dommagistes.”