The four Imagist anthologies, published annually between 1914 and 1917, promoted Imagism as an avant-garde movement and helped turn it into an important force in modern poetry. The Imagist Anthology Collection includes Des Imagistes (1914), ed. Ezra Pound, incl. in The Glebe and subsequent books; Some Imagist Poets (1915), ed. H. D. and Richard Aldington; The 1916 and 1917 successors, ed. Amy Lowell; Catholic Anthology (1915), ed. Ezra Pound in an answer to the first Some Imagist Poets anthology; and the May 1921 issue of Chapbook, with a section parodying Imagist anthologies, called “Pathology des Dommagistes.”

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Founded and edited by Ernest J. Oldmeadow, the first series of this magazine ran quarterly for five issues from March 1897 to May 1898. Each issue had sections on architecture, literature, drawing-painting-engraving, and music, with excellent illustrations of visual materials.

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The second of three magazines edited by Dora Marsden, this one emphasized egoism and was more literary than its predecessor. The first magazine she spearheaded was The Freewoman, while the third was The Egoist.

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Ezra Pound edited the Catholic Anthology in 1915 as an answer to the first Some Imagist Poets anthology.

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The May 1921 issue of Chapbook featured a section parodying Imagist anthologies, called “Pathology des Dommagistes.” The Imagist Anthology Collection also includes Des Imagistes (1914), ed. Ezra Pound, incl. versions in The Glebe and subsequent books; Some Imagist Poets (1915), ed. H. D. and Richard Aldington; The 1916 and 1917 successors, ed. by Amy Lowell; and Catholic Anthology (1915), ed. Ezra Pound in answer to the 1915 Some Imagist Poets .

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The Egoist was a direct continuation of The New Freewoman (itself a continuation of The Freewoman) and continued the policies of its predecessor, with Dora Marsden ultimately shifting to “Contributing Editor” and Harriet Weaver becoming editor. It made a large contribution to modernist literature while continuing to discuss social and philosophical questions and issues.

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The Freewoman was established by Dora Marsden as “A Weekly Feminist Review” that would move beyond the vote to address such controversial issues as the economics and morality of sex. It was succeeded by two other magazines spearheaded by Marsden, The New Freewoman and The Egoist

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Weekly Tale-Teller was a fiction magazine in London between 1909-1916. This single issue is presented as part of the 1910 Collection, a group of 24 magazines published “on or about December 1910,” when, according to Virginia Woolf, “human character changed” and modernity became palpable.

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Founded by Ford Madox Hueffer in 1908 and edited by him for fifteen issues, this influential magazine published works by established authors and new ones like D. H. Lawrence, Wyndham Lewis, and Ezra Pound.

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Edited in London by John Middleton Murry and Katherine Mansfield, and running for just three issues, this was a successor to Rhythm.

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The Modernist Journals Project (searchable database). Brown and Tulsa Universities, ongoing. www.modjourn.org

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